Acoustic Panel Coverage Calculator (Sabins, RT60 Target & Panel Count)
How many acoustic panels does a room need? From the room size, its current reverberation (measured or estimated from finishes) and the RT60 target for its use — home studio, podcast room, home theater, office, classroom, restaurant, church — get the absorption to add in sabins, the number of 2×4 ft panels by thickness and NRC, wall coverage percentage, bass-trap advice and cost.
How it works
Sabine: RT60 = 0.161 × V ÷ A (V in m³, A in m² sabins) · A_current = 0.161 V ÷ RT_current; A_target = 0.161 V ÷ RT_target · panels = (A_target − A_current) ÷ (panel area × NRC) · Schroeder frequency ≈ 2000 √(RT60 ÷ V)
Reverberation is the sound energy that keeps bouncing after the source stops, and Sabine's century-old equation ties its decay time to the room's volume divided by its total absorption, so treating a room is a budgeting exercise: work out how much absorption it has, how much the intended use calls for, and buy the difference in panels rated by area and absorption coefficient. Each use has a range — voices want a dry room in which words do not smear, music wants some bloom, worship spaces even more — and overshooting produces a dead, oppressive space, so the target is a range rather than "as much as possible". Panels of practical thickness only work above the low midrange, which is why bass problems are handled separately with thick corner traps.
Worked example
A 6 × 4.5 × 2.7 m room (73 m³) with a hard floor and some furniture rings for about 1.0 s; a mixing room wants 0.3 s. That means raising absorption from about 11.7 to 39 m² sabins — 27.4 more — which is about 37 two-inch 2×4 ft panels (NRC 1.0), covering about 48% of the wall area, around $2,220 bought or $900 built. The Schroeder frequency is about 128 Hz, so add corner bass traps for the modes below it.
Frequently asked questions
Can I over-treat a room?
Yes — a room with an average absorption coefficient above about 0.4 sounds dead and fatiguing, and Sabine's formula becomes inaccurate there. Add panels in stages, listen, and keep some reflective surfaces (a live-end/dead-end layout works well for studios).
Do panels block sound from the neighbours?
No — absorption reduces echo inside the room; isolation needs mass, decoupling and airtight construction (see the STC calculator). Foam and panels do essentially nothing for sound transmission.
Related calculators
Planning figures for live sound, stage lighting and venue design. Electrical installations must follow local codes and be done by qualified people; never exceed amplifier, dimmer, breaker or rigging ratings. Acoustic and audio results depend on the room and equipment — measure and listen.