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Darkroom Test Strip Calculator (F-Stop Timing, Burn & Dodge Times)

Plan a darkroom test strip in equal f-stop steps around a base exposure, get the cumulative and per-segment times for a progressive strip, and convert dodging and burning from stops to seconds so every print you make is repeatable.

Base (centre) exposure
Step size
Number of segments
Planned burn on the final print
Planned dodge
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How it works

segment time = base × 2^(offset in stops) · progressive increment = tₙ − tₙ₋₁ · burn seconds = base × (2^stops − 1) · dodge seconds = base × (1 − 2^−stops)

Photographic paper responds to light logarithmically, so equal steps of seconds (5, 10, 15, 20…) crowd the dark end of a test strip and leave big jumps at the light end. Stepping in f-stops — each segment a fixed ratio more than the last — gives evenly spaced tones and lets you think about burns and dodges in stops, the same units as the camera. A ⅓-stop strip of seven segments covers two stops, enough to bracket most negatives; the winner is refined with a finer strip. Burns expressed in stops transfer to other print sizes without re-testing.

Worked example

A 12 s base with seven ⅓-stop segments runs from 6 s to 24 s: 6.0, 7.6, 9.5, 12.0, 15.1, 19.0, 24.0 s — as a progressive strip that is 6.0 s then increments of 1.6, 2.0, 2.5, 3.1, 3.9 and 4.9 s. A one-stop sky burn on the 12 s base is a further 12 s; a half-stop dodge means shading the shadows for about 3.5 s of the base exposure.

Frequently asked questions

Why f-stop steps instead of 2-second steps?

Because the eye and the paper both see ratios: 2 s added to a 4 s exposure is half a stop, added to 20 s it is a seventh of a stop. F-stop steps give evenly spaced tones across the strip and make notes portable to other sizes and papers.

How many segments should a strip have?

Five to seven ⅓-stop steps for a normal negative; use ½-stop steps for the first look at an unknown negative, then ⅙-stop steps to nail the final. More segments on one strip is fine if the strip crosses an area of even tone.

Should I test for time or contrast first?

Time first, at a middle grade (2 or 2½), judging the highlights. Then adjust contrast for the shadows with the highlight exposure roughly fixed — with Ilford-matched filters the same time carries across grades 00–3½.

Related calculators

Darkroom figures are starting points. Film, developer batch, agitation, water and thermometer accuracy all shift results — run a test roll or strip, keep notes, and adjust from your own results.