Darkroom Test Strip Calculator (F-Stop Timing, Burn & Dodge Times)
Plan a darkroom test strip in equal f-stop steps around a base exposure, get the cumulative and per-segment times for a progressive strip, and convert dodging and burning from stops to seconds so every print you make is repeatable.
How it works
segment time = base × 2^(offset in stops) · progressive increment = tₙ − tₙ₋₁ · burn seconds = base × (2^stops − 1) · dodge seconds = base × (1 − 2^−stops)
Photographic paper responds to light logarithmically, so equal steps of seconds (5, 10, 15, 20…) crowd the dark end of a test strip and leave big jumps at the light end. Stepping in f-stops — each segment a fixed ratio more than the last — gives evenly spaced tones and lets you think about burns and dodges in stops, the same units as the camera. A ⅓-stop strip of seven segments covers two stops, enough to bracket most negatives; the winner is refined with a finer strip. Burns expressed in stops transfer to other print sizes without re-testing.
Worked example
A 12 s base with seven ⅓-stop segments runs from 6 s to 24 s: 6.0, 7.6, 9.5, 12.0, 15.1, 19.0, 24.0 s — as a progressive strip that is 6.0 s then increments of 1.6, 2.0, 2.5, 3.1, 3.9 and 4.9 s. A one-stop sky burn on the 12 s base is a further 12 s; a half-stop dodge means shading the shadows for about 3.5 s of the base exposure.
Frequently asked questions
Why f-stop steps instead of 2-second steps?
Because the eye and the paper both see ratios: 2 s added to a 4 s exposure is half a stop, added to 20 s it is a seventh of a stop. F-stop steps give evenly spaced tones across the strip and make notes portable to other sizes and papers.
How many segments should a strip have?
Five to seven ⅓-stop steps for a normal negative; use ½-stop steps for the first look at an unknown negative, then ⅙-stop steps to nail the final. More segments on one strip is fine if the strip crosses an area of even tone.
Should I test for time or contrast first?
Time first, at a middle grade (2 or 2½), judging the highlights. Then adjust contrast for the shadows with the highlight exposure roughly fixed — with Ilford-matched filters the same time carries across grades 00–3½.
Related calculators
Darkroom figures are starting points. Film, developer batch, agitation, water and thermometer accuracy all shift results — run a test roll or strip, keep notes, and adjust from your own results.