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Audiobook Finished Hours & Production Cost Calculator

Estimate an audiobook’s finished length from the manuscript word count and narration pace, the studio hours to record and edit it (per-finished-hour ratios), narrator cost at a PFH rate or royalty share, and the listener price band the length supports.

Manuscript word count
Narration pace
Production ratio (studio hours per finished hour)
Narrator rate per finished hour
Editing / mastering per finished hour (if outsourced)
Expected retail price
Your royalty rate on that price
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How it works

Finished hours = words ÷ (wpm × 60); studio hours = finished hours × production ratio; cost = finished hours × (narrator PFH + post-production PFH); break-even sales = cost ÷ (price × royalty)

Audiobooks are bought, priced and paid for by the finished hour, and the finished hour comes almost entirely from word count: at the industry-standard 155 words a minute, 9,300 words make an hour, so a 85,000-word novel runs a little over nine hours. Producing each finished hour takes far longer than an hour — recording with retakes is about double, and editing, proofing against the text and mastering to distributor specs double it again, hence the common 6:1 ratio (4:1 for seasoned narrators who punch-and-roll their own edits). Narrators quote per finished hour, typically $150–400 with post-production extra, or work for a royalty share; comparing the upfront PFH cost with the royalty per sale gives the number of copies that decides which is cheaper. Distributors price largely by length, so the finished-hour estimate also predicts the retail band.

Worked example

An 85,000-word novel at 155 wpm is 9 h 08 min of finished audio. At 6:1 that is about 55 studio hours (≈ 9 days), costing $2,830 at $250 + $60 per finished hour; with a $19.95 price and 25% royalty ($4.99 a sale) it breaks even at 569 copies — below that, a 50/50 royalty share would have cost less.

Frequently asked questions

What pace should I assume?

Measure the narrator’s sample: most land at 150–160 wpm. Dialogue-heavy fiction and dramatic pauses slow it; dense non-fiction with lists can be slower still.

What do distributors require?

Typically 192 kbps or higher constant-rate MP3 (44.1 kHz), −23 to −18 dB RMS, −3 dB peaks, noise floor below −60 dB, each file under 120 minutes, plus opening/closing credits and a retail sample.

Related calculators

Planning estimate based on industry-average rates; your narrator, editor or team will run faster or slower, so calibrate against one finished piece.